David Philip Hefti

Despite his classically avant-garde musical language, Hefti’s prime concern is expressiveness – addressing his listener with a candid eloquence. He loves powerful contrasts and does not refrain from writing intense cantilenas. His music is capable of cumulative processes of concentration, and can unleash a vehement drive. (Süddeutsche Zeitung)

David Philip Hefti’s oeuvre encompasses some 80 works, including orchestral, vocal and chamber music. He has composed large-scale orchestral works, solo concertos, works for chamber orchestra, string quartets, solo pieces, song cycles and two operas. Hefti has enjoyed a working relationship of several years’ standing with artists such as Viviane Hagner, Patricia Kopatchinskaja, Christian Poltéra, Hartmut Rohde, Baiba Skride, Jan Vogler and Antje Weithaas, who all perform his music.

As both conductor and composer, Hefti has worked with numerous orchestras and ensembles including the Zurich Tonhalle Orchestra, the Bavarian State Orchestra, the Symphony Orchestra of Bavarian Radio, the Deutsches Symphonie-Orchester Berlin, the Orchestre symphonique de Montréal, the Tokyo Sinfonietta, the Ensemble Modern, the Amaryllis Quartet and the Leipzig String Quartet. His orchestral works have been performed by conductors such as Peter Eötvös, Cornelius Meister, Kent Nagano, Jonathan Nott, Michael Sanderling, Mario Venzago and David Zinman. He has been invited to music festivals including Wien Modern, Beijing Modern, Ultraschall Berlin, the Lucerne Festival, the Gstaad Menuhin Festival, the Schleswig-Holstein Music Festival, Heidelberger Frühling, the Pablo Casals Festival in Prades, the Dvorak Festival in Prague and the Suntory Festival in Tokyo.

In May 2017, Hefti’s first opera, Anna’s Mask, was given its world première at the St. Gallen Theatre under the baton of Otto Tausk. It is based on the true story of the Swiss singer Anna Sutter, whose life tragically mirrored the fate of her own star role, that of Carmen: her former lover, the conductor Aloys Obrist, murdered her in 1910 in Stuttgart. David Philip Hefti’s musical language, which is characterised by transparency, a chamber-music intensity and a concentrated sense of dramaturgy, is also manifested in this, his first opera. Luminous ecstasy – and this is the point of it – is no betrayal of Hefti’s aesthetic stance, which otherwise tends to fragile, pointillist drops of sound solidifying into chordal structures. (Neue Zürcher Zeitung)

Hefti composed his second music-theatre work, The Snow Queen based on the eponymous fairy tale by Hans Christian Andersen, to a commission from the Zurich Tonhalle Society for its 150th anniversary. The semi-staged world première of this musical tale for the whole family took place in November 2018 in the Tonhalle Maag in Zurich. The title role was sung by the soprano Mojca Erdmann, with the Zurich Tonhalle Orchestra under the baton of the composer himself. This CD recording was released on the NEOS label and was honoured with the Supersonic Award in 2020. In The Snow Queen, the cold takes many audible forms. There are wine glasses filled with water – they sound as clear and transparent as frozen crystals. The serial techniques that always accompany the appearance of the icy queen also come across as frosty and cool – these are academic number games that freeze into lifeless formulae. In stark contrast to all this are the micro-intervals and overtones that unite to create iridescent natural harmonies conjuring up an unsophisticated, real warmth. (Neue Zürcher Zeitung)

In the 2020/21 season, three new solo concertos by David Philip Hefti were given their world premières: In January 2021, Jürg Dähler and the Musikkollegium Winterthur performed Hefti’s Concerto for Viola and Orchestra entitled Cantabile under the direction of the composer. In June of the same year, Hefti’s Double Concerto for 2 trumpets, Final(ment)e, was given its first performance by Immanuel Richter and Huw Morgan, accompanied by the Basel Symphony Orchestra, again under the composer’s baton. This is the fourth and last part of Hefti’s cycle “Interplay of relationships”. The variety of sound was impressive, and at times its intensity could hardly have been surpassed (Das Opernmagazin). As part of his commitments as composer-in-residence of the Camerata Bern, Hefti conceived the concert programme “Round Dance”, for which he composed Six sound islands for violin, clarinet and string orchestra as an atmospheric bridge between dances by Ligeti, Bartók, Veress, Schoenberg and Schubert. The violinist Patricia Kopatchinskaja and the clarinettist Reto Bieri performed this work in June 2021 together with the Camerata Bern.

Besides David Philip Hefti’s opera The Snow Queen (NEOS), two further CDs of his music have been released: The album Light and Shade (NEOS), which documents Hefti’s longstanding, close collaboration with the Amaryllis Quartet, brings together the works An durchsichtigen Fäden (On transparent threads) for mezzo-soprano and string quartet, with Maria Riccarda Wesseling; Concubia nocte – Music for the second nocturnal vigil (String Quartet No. 5); and Danse interstellaire – Mourning music for basset clarinet and string quartet, with Bernhard Röthlisberger. Above and beyond this, David Philip Hefti also gave his conducting debut on the Deutsche Grammophon label. This album, entitled Shades of Love: Korean Drama Soundtracks, was made under the composer’s direction together with top-ranking artists including Daniel Hope, Philipp Jundt, Sebastian Knauer, Albrecht Mayer, Richard O’Neill and the Zurich Chamber Orchestra, and reached No. 1 in the Korean classical music charts.

In the coming 2021/22 season, further world premières are planned: a new arrangement for high voice and string quartet of Gustav Mahler’s Rückert-Lieder, and Hefti’s Sixth String Quartet entitled Five Scenes for Gustav, which was composed to function as a prelude for his arrangement of the Rückert-Lieder, but which may also be performed independently. These works will be performed by the Amaryllis Quartet and the soprano Juliane Banse on tour in Germany and Switzerland in autumn 2021 and spring 2022, including a concert in the Elbphilharmonie in Hamburg. And in September 2021, Jürg Dähler will give the first performance at Schloss Brunegg of Hefti’s Mosaic No. 2 for solo viola, entitled Wechselgesang (Antiphony). Hefti’s new work Reigen (Round Dance) – Mosaic for violin and clarinet, continues his collaboration with the violinist Patricia Kopatchinskaja and the clarinettist Reto Bieri. David Philip Hefti is currently working on a composition for baritone and orchestra to texts by Sir Salman Rushdie, and on a concerto for viola and string orchestra for Lawrence Power.

In 2013, Hefti was awarded the Composer Prize of the Ernst von Siemens Music Foundation and in 2015 the Hindemith Prize of the Schleswig-Holstein Music Festival. He has also won the International Composition Competition of the Pablo Casals Festival in Prades, the George Enescu International Competition for Composition in Bucharest, and the International Gustav Mahler Composition Prize. Hefti’s works are published by Edition Kunzelmann and C. F. Peters and have been recorded for CD by various labels such as Deutsche Grammophon, NEOS and col legno. When his CD Changements was released, the Neue Zürcher Zeitung praised his “excellent mastery of the orchestral apparatus”, both as composer and as conductor.

David Philip Hefti was born in Switzerland in 1975 and studied composition, conducting, clarinet and chamber music at the music academies of Zurich and Karlsruhe, where his teachers included Cristóbal Halffter, Rudolf Kelterborn, Wolfgang Meyer, Wolfgang Rihm and Elmar Schmid. He is active today as both composer and conductor, and lives with his family near Basel.

www.hefti.net



Season 2021/22 – Not to be altered or shortened without permission of PR² classic.

David Philip Hefti

David Philip Hefti was born in Switzerland in 1975 and studied at the music academies of Zurich and Karlsruhe, where his teachers included Wolfgang Rihm, Rudolf Kelterborn and Cristóbal Halffter. He is active today as both composer and conductor. Hefti’s ca 80 works encompass orchestral, vocal and chamber music. He has written works for artists such as Patricia Kopatchinskaja, Hartmut Rohde, Baiba Skride, Jan Vogler and Antje Weithaas, and as both conductor and composer he has worked with the Zurich Tonhalle Orchestra, the Symphony Orchestra of Bavarian Radio, the Deutsches Symphonie-Orchester Berlin and the Ensemble Modern. His works have been performed by conductors such as Peter Eötvös, Cornelius Meister, Kent Nagano, Jonathan Nott and David Zinman, and he has been invited to participate at festivals including Wien Modern, Beijing Modern, Ultraschall Berlin, the Lucerne Festival, the Schleswig-Holstein Music Festival, the Pablo Casals Festival in Prades and the Suntory Festival in Tokyo. In 2013, Hefti was awarded the Composer Prize of the Ernst von Siemens Music Foundation and in 2015 the Hindemith Prize of the Schleswig-Holstein Music Festival. In May 2017, his first opera, Anna’s Mask, was given its world première at the St. Gallen Theatre under Otto Tausk. And in November 2018, Hefti’s second music-theatre piece, The Snow Queen, a story in music for the whole family based on Hans Christian Andersen, was premièred in the Tonhalle Maag in Zurich. The title role was sung by the soprano Mojca Erdmann, while Hefti himself conducted the Zurich Tonhalle Orchestra.

In the 2020/21 season, three new solo concertos were given their world premières: Cantabile, a concerto for viola and orchestra; a double concerto Final(ment)e for 2 trumpets that is the fourth and last part of Hefti’s cycle “Interplay of relationships”, and Six sound islands, a double concerto for violin and clarinet for the violinist Patricia Kopatchinskaja and the clarinettist Reto Bieri, which Hefti wrote in his capacity as composer-in-residence of the Camerata Bern. Three new CD recordings were also released: The Snow Queen and Light and Shade (both NEOS), and the album Shades of Love: Korean Drama Soundtracks, David Philip Hefti’s conducting debut for Deutsche Grammophon. This recording was made under Hefti’s direction and features top-ranking artists such as Daniel Hope, Philipp Jundt, Sebastian Knauer, Albrecht Mayer, Richard O’Neill and the Zurich Chamber Orchestra, and reached No. 1 in the Korean classical music charts.

In the coming 2021/22 season, further world premières are planned: a new arrangement of Gustav Mahler’s Rückert-Lieder for high voice (Juliane Banse) and string quartet (the Amaryllis Quartet) will be performed on a tour through Germany and Switzerland, along with Hefti’s Sixth String Quartet entitled Five Scenes for Gustav. Two further works will also have their first performances: Wechselgesang (Antiphony), Mosaic No. 2 for solo viola (with Jürg Dähler) and Reigen (Round Dance) – Mosaic for violin and clarinet that continues Hefti’s successful collaboration with Patricia Kopatchinskaja. Above and beyond this, Hefti is currently working on a composition for baritone and orchestra to texts by Sir Salman Rushdie, and on a concerto for viola and string orchestra for Lawrence Power.

www.hefti.net



Season 2021/22 – Not to be altered or shortened without permission of PR² classic.

Awards

Awards:

  • Hindemith Prize (2015)
  • Composer's Prize of the Ernst von Siemens Music Foundation (2013)
  • Zollikon Arts Prize (2006)
  • Young Artist Awards of the Cultural Foundation of the UBS (2003, 2006, 2016)
  • Cultural Fund of the Federal Ministry of Culture's Young Artist Awards (2004, 2005, 2010)


Competitions:

  • 1st Prize Pablo Casals Competition, 2011
  • 1st Prize Gustav Mahler Competition, 2010/11, cat. orchestra
  • 2nd Prize Gustav Mahler Competition, 2010/11, cat. chamber music
  • 2nd Prize Molinari Quartet Competition, 2009
  • 4th Prize Kazimierz Serocki Competition, 2008
  • 1st Prize Composition Competition of the Bucharest University, 2008
  • Jury Special Prize Gian Battista Viotti Competition, 2007
  • 2nd Prize Ivan Spassov Competition, 2007
  • Finalist Pablo Casals Competition, 2007
  • 2nd Prize Witold Lutoslawski Competition, 2007
  • Finalist Dimitris Mitropoulos Competition, 2005
  • 1st Prize George Enescu Competition, 2005


Scholarships:

  • Composition Scholarship by the Landis & Gyr Foundation (2020)
  • Canton of St. Gall's Scholarship for Composers (2008, 2019)
  • City of Zurich's Scholarship for Composers (2011)
  • "Composer-in-residence" in London, Landis & Gyr Foundation's Scholarship (2009/10)
  • Camille Graeser Foundation's Scholarship for Composers (2009)
  • Swiss Musicians' Association's and Kiefer Hablitzel Foundation's Scholarship (2004)


CD Awards:

  • The Snow Queen Supersonic Award, 2020
    Nomination for the OPUS Klassik Award 2021
  • String Quartets Nomination for the German Record Critics' Award 2013
  • Virtuoso ICMA International Classical Music Awards Nomination 2011
  • Rosenblätter 'Best of 2008' by Schweizer Radio DRS2
  • Rosenblätter Selection Musicora-Harmonia Mundi, 2007
  • Counterpoints SRI-Selection by Schweizer Radio International, 2001